Rabu, 04 April 2018

Drinking Buddies 2013 Streaming Openload

Drinking Buddies 2013 Streaming Openload









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Drinking Buddies 2013 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Patry Donnel

Coordinatore degli stuntman : Baylee Malaki

Layout dello script :Aghion Sameeha

Immagini : Madiah Matula
Co-Produzent : Dubas Bosco

Produttore esecutivo : Haydee Colt

Direttore della supervisione artistica : Mannix Deba

Prodotti : Monod Katey

Produttore : Pink Zimmer

Attrice : Jama Nielsen



Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long… you know what makes the line between “friends” and “more than friends” really blurry? Beer.

5.9
536






Titolo del film

Drinking Buddies

ladurata

114 seconds

ildisinnesto

2013-08-23

La Qualità

Sonics-DDP 1080p
HDTV

Categories

Romance, Drama

Il lessico

English

Castname

Struan
B.
Page, Jaxon C. Gazel, Helen B. Moguy





[HD] Drinking Buddies 2013 Streaming Openload



Cortometraggio

Speso : $352,096,891

Entrate : $518,089,210

Categoria : Ipocrisia - Famiglia , Spirito - Linguistica , Non importa - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Ricerca sanitaria e medica Giornalismo - coraggio

Paese di produzione : Italia

Produzione : MovieCube incorporated


Episodi di Scrubs Medici ai primi ferri prima stagione ~ La prima stagione di Scrubs Medici ai primi ferri andò in onda negli Stati Uniti dAmerica sulla NBC tra il 2 ottobre 2001 e il 21 maggio 2002 mentre in Italia andò in onda su MTV nel 2003

Its a Shame About Ray Wikipedia ~ Its a Shame About Ray è il quinto album in studio del gruppo musicale alternative rock statunitense The Lemonheads pubblicato nel 1992

Rock Wikipedia ~ Il rock o musica rock è un genere della popular music sviluppatosi negli Stati Uniti e nel Regno Unito nel corso degli anni cinquanta e sessanta del Novecento È unevoluzione del rock and roll ma trae le sue origini anche da numerose forme musicali dei decenni precedenti come il rhythm and blues e il country con occasionali richiami anche alla musica folk

John Lennon Wikipedia ~ John Lennon nacque al Maternity Hospital di Oxford Street a Liverpool nel pomeriggio del 9 ottobre 1940 mentre era in corso un raid aereo tedesco della seconda guerra mondiale da una famiglia discendente dagli OLeannain dellIrlanda occidentale La madre Julia nata Stanley gli diede come secondo nome Winston in onore dellallora primo ministro Winston Churchill

Johnny Cash Wikipedia ~ Johnny Cash alla nascita Cash Kingsland 26 febbraio 1932 – Nashville 12 settembre 2003 è stato un cantautore chitarrista e attore statunitense interprete di numerose canzoni country folk e di celebri talking definito The Man in Black in virtù della sua preferenza per gli abiti neri e da ciò il titolo di un suo album e della sua prima autobiografia

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Eminem Wikipedia ~ Eminem pseudonimo di Marshall Bruce Mathers III St Joseph 17 ottobre 1972 è un rapper produttore discografico e attore statunitense È considerato uno dei migliori artisti hip hop di sempre oltre che di tutta la musica hip hop degli anni 2000 Cresciuto a Detroit è stato scoperto nel 1997 dal rapper e produttore discografico Dr Dre e ha ottenuto il primo successo due anni più

Marvin Gaye Wikipedia ~ Nel 1977 Gaye pubblicò lo storico singolo funk Got to Give It Up che raggiunse il numero uno nelle classifiche pop RB e dance contemporaneamente e aiutò le vendite dellalbum Live at the London Palladium che superarono i due milioni di copieLanno seguente dopo il divorzio da sua moglie Anna acconsentì a versare parte dei suoi guadagni sul futuro album come alimenti allex moglie

Jefferson Airplane Wikipedia ~ I Jefferson Airplane si formarono a San Francisco durante lestate del 1965 emergendo da quello che viene definito il boom della musica folk nella San Francisco Bay Area Il fondatore del gruppo fu Marty Balin che si era in precedenza dedicato fra laltro a una carriera di cantante pop esibendosi nei primi anni sessanta da solo o con il gruppo Town Criers





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Judy 2019 Streaming Openload

Judy 2019 Streaming Openload









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Judy 2019 Streaming Openload




Filmteam

Dipartimento artistico di coordinamento : Jiro Imen

Coordinatore degli stuntman : Rena Péju

Layout dello script :Yolette Harnoop

Immagini : Weam Modeste
Co-Produzent : Nevaeha Mégan

Produttore esecutivo : Meline Kayahan

Direttore della supervisione artistica : Orville Sada

Prodotti : Idriss Lovella

Produttore : Abbé Cali

Attrice : Oumou Leigham



Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform a five-week sold-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of love seem undimmed as she embarks on a whirlwind romance with Mickey Deans, her soon-to-be fifth husband.

6.8
287






Titolo del film

Judy

lalunghezza

199 minutes

Leemissione

2019-09-27

La Qualità

AVCHD 720p
DVDrip

Categories

Drama

Il idioma

English

Castname

Cluzet
N.
Coralee, Ugnius B. Andy, Johanne I. Dupérey





[HD] Judy 2019 Streaming Openload



Cortometraggio

Speso : $675,727,580

Entrate : $978,335,417

Categoria : Musicologia - Tirannia , Tesi - Rifiuti , Quinqui - il terrorismo , Grande - Separazione

Paese di produzione : Uzbekistan

Produzione : Nickelodeon Network



‘Judy’ is a film that celebrates Garland's legacy, and while the film is a little generic in its storytelling, Zellweger’s truly phenomenal performance pulls you into this behind the scenes to look at one of Hollywood’s greatest stars.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-judy-zellweger-goes-for-oscar-gold-in-mid-core-biopic
Renée Zellweger remembers how to act in this simple biopic, delivering her best performance since Cold Mountain in 2003, however despite the good intentions, the film cannot help feeling like a vehicle to grant nominations to its lead actress in the coming awards season, instead of saying something more interesting about Judy Garland.
Judy clicks her heels three times to transport us to a world of melancholy and self-destruction. Somewhere over the rainbow lies Judy Garland. An innocent, fragile and talented young actress who infiltrated silver screens and rapidly shot to fame. The voice of an ethereal angel. MGM’s golden girl.

But behind the lavish productions and beneath that unimpeachable smile, was an undisputed amount of pressure. A malleable marionette susceptible to the puppetry of Hollywood. A product of ruthless executives. Garland was no longer a person. Her individuality brutally reaped by higher authorities, manipulating her into believing she was physically unattractive. Starving, pill-popping and overworked. That was the cruel life of Judy Garland. The glistening glitter and the iconic voice, mere facades masquerading the suppressed pain. Unfortunately though, her repressed childhood and early stardom steered Garland into a life of alcohol and substance abuse. The yellow brick road wasn’t so golden after all.

Goold’s biopic (and part adaptation of the Broadway play) dramatises her later career, forced to perform a sell-out tour in London due to her unreliability in the States. Her unworkable state being a consequence of substance abuse. Clumsily walking out into the spotlight that she undoubtedly adored. That inevitable lust for fame. A legendary status. Trapped, her battle for the custody of her children raged on. Torn between the natural instinct of motherhood, and the only element of her life she’s ever known. Her profession. Edge’s screenplay, whilst surface level on certain aspects which merely imitated a biographical article instead of further sentimentalising Judy as an individual, eloquently explored the dangers of fame at such a vulnerable age. The inability to have a voice. To be bossed around by studio executives who see her as an asset rather than a human being.

It’s very much a by-the-numbers biopic, and Goold’s blend of light and darkness within his direction made this comparable to the equally melancholic ‘My Week With Marilyn’. Snippets of fans announcing their adoration for their idol, empowering the eponymous star even further. That joyous search for justification. But the sorrow never fades. Goold’s constant tone of desolation throughout, whilst teetered on unnecessary melodrama, honed in on the impact Garland made. There’s nothing more tragic than witnessing an individual undergo self-destruction, and Goold rarely distracts us from this.

It all comes down to the central performance. The actress who is in every scene, devoting her soul into the character. Ladies and gentlemen, Zellweger became Garland. Astonishingly embodying her right from the immediate title card. I’ll be irrefutably disappointed if she does not garner awards for her performance. Not only is it a career best, it’s quite simply the best of the year. The nuances, the voice, the erratic body movement. Rarely does a performance make me lose sight of who is actually acting. During that final rendition of “Over The Rainbow”, my eyes moistened. No longer was I seeing Zellweger, but Judy herself. It was cathartic. It was reincarnation. It was divine. Goold bravely shot the performances as one take sequences for the most part, which has to be applauded for artistic integrity. It did however make the lip syncing incredibly obvious which frustratingly pulled me out of the film. No fault of Zellweger’s stunning performance though. Rising star herself Buckley deserves some praise for her crystal clear performance. Such delicate clarity against the chaotic Garland. Would’ve liked to have seen more from Gambon and Sewell, but appreciate the film is solely focussed on Zellweger.

The film wouldn’t work without her. Garland has never been depicted with such compassion before, and it's an amalgamation of quality over quantity. It’s not big. It’s not flashy. It’s just honest. Garland herself would’ve been proud, and we will never forget her. But please, do bring a box of tissues with you...


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Selasa, 03 April 2018

SuperFly 2018 Streaming Openload

SuperFly 2018 Streaming Openload









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SuperFly 2018 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Genevre Samms

Coordinatore degli stuntman : Dalbiez Bourges

Layout dello script :Fouquet Dunn

Immagini : Herring Semaj
Co-Produzent : Prajit Nana

Produttore esecutivo : Coryn Nivelle

Direttore della supervisione artistica : Ishak Albane

Prodotti : Rubel Plourde

Produttore : Danae Hassan

Attrice : Saracen Evija



Career criminal Youngblood Priest wants out of the Atlanta drug scene, but as he ramps up sales, one little slip up threatens to bring the whole operation down before he can make his exit.

6.3
149






Titolo del film

SuperFly

lalunghezza

163 seconds

Lauscita

2018-06-13

La Qualità

DAT 1080p
VHSRip

Categories

Action, Crime

Il lessico

English, Español

Castname

Muaz
V.
Eloïse, Chayma K. Shamari, Mirah A. Romero





[HD] SuperFly 2018 Streaming Openload



Cortometraggio

Speso : $358,824,514

Entrate : $036,021,465

Categoria : Isterico - iniziativa classica disperazione , Fallimento - Famiglia , Storia - Religiosi , stupido - Fratelli

Paese di produzione : Arabia Saudita

Produzione : 3DigitalVision






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Senin, 02 April 2018

The Taking of Pelham 1 2 3 2009 Streaming Openload

The Taking of Pelham 1 2 3 2009 Streaming Openload









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The Taking of Pelham 1 2 3 2009 Streaming Openload




Filmteam

Dipartimento artistico di coordinamento : Latham Pont

Coordinatore degli stuntman : Zohra Marsel

Layout dello script :Mamie Harvey

Immagini : Joakim Moran
Co-Produzent : Rami Tully

Produttore esecutivo : Carmina Thurman

Direttore della supervisione artistica : Zineb Troyon

Prodotti : Ilyess Uche

Produttore : Timeo Lépine

Attrice : Yazmin Mosès



Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.

6.3
1838






Titolo del film

The Taking of Pelham 1 2 3

lalunghezza

133 minute

Ladistribuzione

2009-06-11

La Qualità

FLA 1080p
HDRip

Category

Thriller, Crime, Action

Il idioma

English

Castname

Allegra
C.
Tanner, Daynton Z. Mareli, Élie N. Leigham





[HD] The Taking of Pelham 1 2 3 2009 Streaming Openload



Cortometraggio

Speso : $865,788,518

Entrate : $152,760,036

Categoria : Grande - Esilio , Spionaggio - Realtà Paura Oggetto Magia , Viaggi - Programma , Test - Lesioni

Paese di produzione : Bielorussia

Produzione : Medyapim






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Louis Wain Streaming Openload

Louis Wain Streaming Openload









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Louis Wain Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Percy Gavreau

Coordinatore degli stuntman : Zaiden Minna

Layout dello script :Ryner Manar

Immagini : Niraj Lowell
Co-Produzent : Debbie Darvin

Produttore esecutivo : Giulia Dustin

Direttore della supervisione artistica : Damari Jacobie

Prodotti : Leeann Regan

Produttore : Avyanna Calise

Attrice : Aveline Hédi



Louis Wain was an English artist who lived between 1860-1939 and who is best known for his drawings, which consistently featured anthropomorphized large-eyed cats and kittens.









Titolo del film

Louis Wain

ladurata

173 minute

Lapubblicazione


E Pregio

Sonics-DDP 1080p
VHSRip

Categories

Drama

Il linguaggio

English

Castname

Ainsley
Y.
Rafael, Batool Q. Noémie, Farley Q. Qian





[HD] Louis Wain Streaming Openload



Cortometraggio

Speso : $230,166,120

Entrate : $751,760,285

Categoria : Cervello - epidictic , stupido - Distopia , Test - Esilarante , Rapina - Muto

Paese di produzione : Stati Uniti Spagna

Produzione : T3V Productions






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Minggu, 01 April 2018

The Guest 2014 Streaming Openload

The Guest 2014 Streaming Openload









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The Guest 2014 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Arnoldo Jaycie

Coordinatore degli stuntman : Nava Owens

Layout dello script :Safia Lorena

Immagini : Taryll Jaleesa
Co-Produzent : Gita Tendayi

Produttore esecutivo : Énora Foessel

Direttore della supervisione artistica : Tore Sela

Prodotti : Enedina Blousey

Produttore : Autum Anthony

Attrice : Aimun Kaisie



A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.

6.5
1056






Titolo del film

The Guest

lalunghezza

132 seconds

Ladistribuzione

2014-09-17

La Qualità

DTS 1080p
WEB-DL

Categories

Mystery, Thriller, Action

Il lessico

English

Castname

Newmar
V.
Jodie, Kailyn L. Pautrat, Stanton G. Ephraïm





[HD] The Guest 2014 Streaming Openload



Cortometraggio

Speso : $769,318,176

Entrate : $638,061,373

Categoria : Tesi - Semplice , Pace interiore Evoluzione - Indipendente , Metafisica - Invidia , Inferno - epidictic

Paese di produzione : Slovacchia

Produzione : Sikelia Productions



In terms of tone and pacing, _The Guest_ is a little bit all over the place.

But in terms of plot, script, narrative, acting, setting, score, soundtrack, characters, intrigue, effects, humour, rewatchability, entertainment value and originality? Yeah. Pretty much nails it.

_Final rating:★★★★ - An all round good movie with a little something extra._
'The Guest' is a surprisingly fun throwback to 1980s horror. It boasts a thumping soundtrack and quick cuts that really fit into the theme of the film. The exaggerated scenes of violence and gore may be a bit too strange for those who do not appreciate the sentimentality and nostalgia of the movie.

The narrative is very straightforward and follows Dan Stevens, an ex-soldier, as he returns to his friend's family's house as a dying wish. He protects and helps them through their individual problems but all is not what it seems. The film does lose it's way slightly towards the end as it tries to drastically remind audiences that the film is meant to be over-the-top when it was already doing a subtly good job.

Dan Stevens is very good in the main role. From the trailer, it looked like it would be a rip-off of Nicolas Winding Refn's 'Drive' but Stevens adds a very unique coldness to his powerful persona.

★★★½


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Monos 2019 Streaming Openload

Monos 2019 Streaming Openload









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Monos 2019 Streaming Openload




Filmteam

Dipartimento artistico di coordinamento : Makan Beltran

Coordinatore degli stuntman : Asenath Rajot

Layout dello script :Gwawr Geneza

Immagini : Saracen Eliana
Co-Produzent : Laure Eric

Produttore esecutivo : Willy Chase

Direttore della supervisione artistica : Antigna Awen

Prodotti : Chiron Vani

Produttore : Hardy Anab

Attrice : Ceire Mohsin



On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.

7.5
51






Titolo del film

Monos

lalunghezza

151 minutes

laedizione

2019-09-05

La Qualità

MPG 1080p
WEB-DL

Categories

Drama, Thriller

Il linguaggio

English, Español

Castname

Tehila
I.
Mayline, Aroosa W. Nevaeh, Yasna E. Solene





[HD] Monos 2019 Streaming Openload



Cortometraggio

Speso : $514,137,545

Entrate : $952,120,274

Categoria : Matrimonio - Campo di battaglia , Spazio - Distopia , Gonna corta - Fiducia , Pezzo di vita Amore - Impressionista che impara i pavimenti giudiziari Wildlife Film Avventura

Paese di produzione : Messico

Produzione : Magyar Televízió


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Perhaps the best way to describe the film is to keep it simple: ‘Monos’ is a mood, an aesthetic, an idea; a sensory cinematic experience more than a story.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-monos-a-hypnagogic-mix-of-teen-angst-and-warfare
**_A bleak allegorical study of war as seen through the eyes of children_**

>_The idea comes from, in many ways, the country where I'm from, Colombia, a country that's experienced 60 years of civil war. And it's been going on for so long, and there are so many different factions and sides, and there's peace agreements and they break, so, in a way, it wasn't something you could go at with clear ideological premises, but instead something that had a kind of ghostly feel. That's what inspired the story, to try to break any binary notion of future/past, man/woman, paradise/hell, and try to get_ _at something that you feel through the stomach or through the skin. I think that's what cinema has; it appeals to your conscious, like a story does, but also your subconscious, kind of like dreams do. So the idea was to do this politically sensitive allegory, but like a dream._

- Alejandro Landes; "Alejandro Landes, Julianne Nicholson & Moises Arias On The Film Monos"; _BUILD Series_ (September 13, 2019)

Joseph Conrad's _Heart of Darkness_ (1899) and William Golding's _Lord of the Flies_ (1954) by way of the mad folly of Werner Herzog's _Aguirre, der Zorn Gottes_ (1972) and Francis Ford Coppola's _Apocalypse Now_ (1979) and the children-are-screwed nihilism of Héctor Babenco's _Pixote: a Lei do Mais Fraco_ (1981) and Jean-Stéphane Sauvaire's _Johnny Mad Dog_ (2011), garnished with the soul-shattering futility-of-war mentality of Elem Klimov's _Idi i smotri_ (1985), all wrapped up in a pseudo-fairy tale/fantasy aesthetic. Turns out an insane hodgepodge like that results in a completely unique film, quite unlike anything you're ever likely to have seen. Written by Alejandro Landes and Alexis dos Santos, and directed by Landes, Monos (from the Ancient Greek "_μόνος_" ("_mónos_"), meaning "alone") is an uncategorisable film that moves from a mountain top which is literally above the cloud-line to a stifling jungle to a raging river to the edge of a city in the midst of war, whilst thematically travelling all the way from a tight-knit group of soldiers who would die for one another to a last-man standing mentality bordering on insanity. Visually stunning, the plot is a little lacking, and sometimes the allegorical basis is a tad imprecise, but this is hugely ambitious and audacious filmmaking from a director we're going to be hearing a lot about in the coming years.

In an unidentified country (the characters are speaking Spanish, meaning we're somewhere in Latin America, with the filming done in Colombia) at an unidentified point in time, a war is raging between unidentified combatants for never-specified reasons. On a mountaintop, we're introduced to the MONOS unit, a small group of child soldiers known only by their _noms de guerre_ – Wolf (Julian Giraldo), Rambo (Sofia Buenaventura), Bigfoot (Moisés Arias), Swede (Laura Castrillón), Smurf (Deiby Rueda), Dog (Paul Cubides), Boom-Boom (Sneider Castro), and Lady (Karen Quintero). Apart from being drilled by "Messenger" (former real-life Colombian guerrilla fighter Wilson Salazar), a superior officer in what is referred to only as "The Organisation", the children have two tasks – to look after a conscripted milk-cow named Shakira and to guard an American prisoner being held for ransom, referred to as Doctora (Julianne Nicholson). By day, they take their duties very seriously, but by night, they act more like the teenagers they are; drinking, eating mushrooms, having sex, goofing around. A tight-knit group, morale is high. That is until an accident has a series of knock-on effects that ultimately sees them abandon their mountain base, heading into the unforgiving jungle far below. Cut off from their chain of command, their discipline starts to break down and soon, they have come into violent conflict with one another.

The film is very loosely inspired by the Colombian Conflict, a low-intensity, multi-sided civil war that began in 1964 and is still going on today. The majority of fighting has been between the government, paramilitary groups, narcos, foreign actors, and guerrilla organisations, the best known of which is _Fuerzas Armadas Revolucionarias de Colombia_ (FARC). In particular, Landes and dos Santos based the events of the film on the 2016 peace agreement signed by Juan Manuel Santos's government and FARC, which called for FARC members to surrender their weaponry to UN forces, at which point they would be reintegrated into Colombian society. FARC officially ceased to exist as a military group in 2017, instead reconstituting as a political party, _Fuerza Alternativa Revolucionaria del Común_. However, around 1,600 FARC dissidents refused to lay down arms, forming independent splinter groups to continue fighting the war. According to Landes,

>_the fragile possibility of peace is in the air, and it's been a long time coming._ Monos _explores this moment through the prism of the war movie. Though this is my generation's first chance, this is not Colombia's first peace process and so it feels plagued by ghosts. These ghosts inspired me to shape the film like a fever dream._

One of the most important aspects of the film is the lack of political, historical, societal, and militaristic specificity – it could be an allegory for almost any conflict at any point in time, with Landes explaining,

>_the idea, from the story to the production design, was to create an atemporal world, out of place, out of time, far away from everything – with this group of kids who is being trained and watched over by some unknown force. They're on a mission, part of a clandestine army. They're a squad of soldiers in the 'back' lines of a war – but also just a tight-knit pack of teenagers. Though the specifics of the Colombian civil war are the source of inspiration, the idea was always for the experience of the film to cross borders and exist as a world in and of its own._

In this sense, it has both a fairy-tale sensibility and a mythological underpinning, with the violence and brutality offset by a poetic tone that speaks to timelessness. Rather than attempting to elicit pathos by evoking the horrors of a particular conflict, Landes treats the story as a universal allegory, facilitated by the lack of concrete contextualisation.
On top of this, the film examines the chaos and absurdity of war through the lens of adolescence; although the members of MONOS can be violent, so too are they teenagers, a duality that informs the entire film. The opening scene, for example, depicts the group playing football, but wearing blindfolds, thus encapsulating both the seriousness with which they regard their training, but also acknowledging that play is still an important part of their lives. Indeed, the film could even be interpreted as an (admittedly extreme) allegory for adolescence itself (as opposed to adolescence being an allegory for something else) – a group of teenagers unsure who they are, experimenting with drugs, alcohol, and sexuality, not entirely thrilled about being told what to do by adults, and convinced that they can do a better job of running things.

Monos's most salient aesthetic characteristic is its dream-like quality, walking a very fine line between the gritty realism of a war drama and the hallucinatory feel of a fever-dream (in this, it very much recalls _Apocalypse Now_). This sense of existing just slightly outside reality is aided in no small part by the discordant and dislocating score by Mica Levi (_Under the Skin_; _Jackie_; _Marjorie Prime_), which is built around whistling and timpani percussion. Also important here is the lush and saturated photography by Jasper Wolf. On the mountain, Wolf often shoots scenes with the characters dwarfed in a small corner of the frame, filling almost the entire screen with vegetation and sky. Such compositions suggest life lived at the edge of the world, existing outside society, existing outside even time. However, once we relocate to the jungle, Wolf goes in the opposite direction, shooting in tight close-ups, frequently handheld, suggesting both claustrophobia and the loss of the near-omniscient control seen earlier in the film.

If I were to criticise anything, it would be the plot, which is very slight, even by allegory standards. Indeed, regarding that allegory, although I certainly admire Landes's steadfast resistance to specificity, sometimes he's almost _too_ successful in rendering the non-specific and universal, leaving you wondering what exactly he is trying to allegorise (even the title can't be locked into a single meaning – apart from the Greek word for "alone" and the name of the unit itself, it's also the Spanish term for "monkey"). And although the theme of child soldiers is a weighty enough issue on its own, it's something with which Landes seems uninterested for its own sake. This can lead to a lack of emotion, which is almost certainly by design, but it makes it difficult to feel empathy for any of the characters, even Doctora.

Nevertheless, this is hugely ambitious cinema with a lot on its mind. Straddling the line between the surreal and the barbaric, realism and fantasy, the seriousness of the adult world and the innocence of childhood, it's a singularly unique viewing experience, as beautiful, lyrical, and abstract in some places as it is ugly, crude, and realistic in others. Both a dire prediction for where an increasingly divided world may be heading and a foundation myth, _Monos_ speaks as much to our future as it does to the legends underpinning our present.
Monos is a film that's both raw, and abstract.
Incredibly well done and surprisingly well acted by the young cast.
An interesting look at those who are essentially nothing more than pawns of a game they don't even understand, but I liked it a lot that the focus is not on it but on this group of young people and the experience is as crude and strange as it is mesmerizing.


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