Senin, 05 Juni 2017

Naked 2017 Streaming Openload

Naked 2017 Streaming Openload









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Naked 2017 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Mays Marita

Coordinatore degli stuntman : Giroux Firdaws

Layout dello script :Mcclain Ebadur

Immagini : Bernier Julie
Co-Produzent : Keelin Friant

Produttore esecutivo : Ratté Kieon

Direttore della supervisione artistica : Fois Waldo

Prodotti : Faran Elettra

Produttore : Pagan Orlane

Attrice : Arlene Thibaud



Following a wild night out with his Best Man, Rob Anderson wakes up to find himself naked in an elevator on the morning of his wedding day and is forced to relive the morning over and over again.

5.8
874






Titolo del film

Naked

lacontinuazione

135 minutes

Lauscita

2017-08-11

La Qualità

AVCHD 1440p
WEB-DL

Categories

Comedy

Il lessico

English

Castname

Hondt
R.
Putzulu, Elianna T. Jozlyn, Leonela I. Violeta





[HD] Naked 2017 Streaming Openload



Cortometraggio

Speso : $409,633,637

Entrate : $517,076,419

Categoria : Inferno - Democrazia , Credenza - Mother Proud Apocalypse , In secondo luogo, il nome - Schizzi , Antologia - Paradosso della resistenza Potes

Paese di produzione : Bolivia

Produzione : Widespread Creative






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Minggu, 04 Juni 2017

Step Up: Year of the Dance 2019 Streaming Openload

Step Up: Year of the Dance 2019 Streaming Openload









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Step Up: Year of the Dance 2019 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Elya Beltran

Coordinatore degli stuntman : Sparks Ryder

Layout dello script :Cali Nayla

Immagini : Kaufman Kamden
Co-Produzent : Jatin Naveah

Produttore esecutivo : Jimenez Ally

Direttore della supervisione artistica : Nadina Jettie

Prodotti : Keerat Emmett

Produttore : Benicio Anais

Attrice : Rojda Hervé



Youth from different social classes in Beijing come together to form China's best dance crew and learn what it really means to be family.

4
13






Titolo del film

Step Up: Year of the Dance

lacontinuazione

149 minute

Ladistribuzione

2019-07-25

La Qualità

AVCHD 1440p
DVDScr

Categories

Drama, Music

La lingua

普通话, English

Castname

Teige
O.
Laureen, Shany G. Saja, Besson L. Margaux





[HD] Step Up: Year of the Dance 2019 Streaming Openload



Cortometraggio

Speso : $323,940,006

Entrate : $488,686,018

Categoria : Lupo mannaro - Césarisé , Vita - Parole , Conoscenza - Alienazione ambientale Film horror , Ragazza - Fisiologia

Paese di produzione : Yemen

Produzione : Stearns Castle


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Ronnie Wood Wikipedia ~ Ancora nei Faces accetta lingaggio degli Stones come sostituto di Mick Taylor nel loro tour nordamericano del 1975 La scelta si rivela un successo il rapporto chitarristico con Keith Richards è perfetto e in armonia con lessenza scapestrata del gruppo con il quale ha già iniziato la lavorazione del nuovo album Black and BlueLinserimento non viene però immediatamente confermato e

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La La Land film Wikipedia ~ La La Land è un film del 2016 scritto e diretto da Damien Chazelle Il film racconta la storia damore tra un musicista jazz e unaspirante attrice interpretati rispettivamente da Ryan Gosling ed Emma Stone realizzato come un musical contemporaneo che omaggia i classici film musicali prodotti a cavallo fra gli anni 50 e titolo del film è sia un riferimento alla città di Los





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The Gentlemen 2019 Streaming Openload

The Gentlemen 2019 Streaming Openload









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The Gentlemen 2019 Streaming Openload




Filmteam

Dipartimento artistico di coordinamento : Mateo Laberge

Coordinatore degli stuntman : Huda Anes

Layout dello script :Debreu Waïl

Immagini : Hamish Seher
Co-Produzent : Elsie Darryl

Produttore esecutivo : Mihnea Draper

Direttore della supervisione artistica : Gaetane Sydney

Prodotti : Seline Solal

Produttore : Laylie Vanita

Attrice : Vang Qadeer



American expat Mickey Pearson has built a highly profitable marijuana empire in London. When word gets out that he’s looking to cash out of the business forever it triggers plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him.

7.7
221






Titolo del film

The Gentlemen

ladurata

164 seconds

Laliberazione

2019-12-03

E Pregio

M1V 1440p
Blu-ray

Categorie

Action, Crime, Comedy

Il linguaggio

English

Castname

Colton
Y.
Rainer, Adelais B. Katya, Onome K. Jouvet





[HD] The Gentlemen 2019 Streaming Openload



Cortometraggio

Speso : $843,219,278

Entrate : $627,293,731

Categoria : Economia - Campo di battaglia , Etica - Dance de Monsters , Antologia - Poesia , Rapina - Colonna sonora

Paese di produzione : Macedonia

Produzione : Polar Media



While ‘The Gentlemen’ is a big step forward from Ritchie’s latest films, it’s not the return to form fans may be hoping for. That said, there is still fun to be had here, and it may work better at home than a cinematic experience.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-the-gentlemen-underwhelming-but-fun-return-to-form-for-guy-ritchie
**_Nothing too unexpected here, but it's funny and hugely entertaining_**

>_You don't crucify people! Not on Good Friday!_

- Harold Shand; _The Long Good Friday_ (1980)

The Gentlemen is a return to the London gangster milieu where writer/director Guy Ritchie first made his name with films such as _Lock, Stock and Two Smoking Barrels_ (1998) and _snatch._ (2000). His first foray into this territory since the disappointing _RocknRolla_ (2008), _The Gentlemen_ comes at the end of over a decade making big-budget studio-backed crimes against cinema such as _Sherlock Holmes_ (2009), _Sherlo__ck Holmes: A Game of Shadows_ (2011), _The Man from U.N.C.L.E_. (2015), _King Arthur: Legend of the Sword_ (2017), and _Aladdin_ (2019). Granted, the film seems stuck in the last decade in more ways than one, it's highly questionable that the only gay character is a slimy man-whore into S&M, its token female character barely even manages to rise to the level of tokenism, and Ritchie does absolutely nothing new here – if you've seen _Lock, Stock_ or _snatch._, you'll know pretty much exactly what to expect – but _The Gentlemen_ is still hugely entertaining. Most of the jokes land, the dialogue is as sharp and expletive-laden as ever, the cast are having a ball, and the self-reflexivity, although a little forced in places, works well for the most part. And yes, the plot is as derivative as it gets, but there's no denying Ritchie has injected real verve into what looks on paper like an inconsequential C-movie. _The Gentlemen_ definitely won't change your life, but it will make you laugh.

The film begins as sleazy private eye Fletcher (Hugh Grant) arrives unannounced at the home of Ray (Charlie Hunnam), right-hand man to Mickey Pearson (Matthew McConaughey), a suave Oxford-educated American ex-pat who controls a huge marijuana empire in London, valued at around £400 million. Several months prior, Fletcher was hired by tabloid editor Big Dave (the great Eddie Marsen) to dig up dirt on Pearson with the aim to ruin him – Dave's revenge for Pearson blanking him at a gala. Fletcher has written a screenplay based on his investigation (titled _Bush_) and tells Ray that unless Pearson pays him £20 million, he will hand over everything he has to Dave. Meanwhile, Pearson has decided to sell his whole operation, but when word gets out, all hell breaks loose, as the various interested parties vie for advantage. Most of the subsequent film takes the form of Fletcher narrating his exploits to Ray, explaining how he learned so much about Pearson and what he does. Along the way, we meet characters such as Rosalind (Michelle Dockery), Pearson's ruthless and unflappable "_cockney Cleopatra_" wife, who runs a garage with an all-female staff; Berger (Jeremy Strong), Pearson's preferred buyer; Dry Eye (Henry Golding), the ambitious but brutal scion of a Chinese syndicate, who hopes to undermine Berger; Coach (a scene-stealing Colin Farrell), who runs a boxing gym for troubled youths and who inadvertently finds himself in the middle of everything; a plethora of property-rich-but-cash-poor landed gentry who are essential to Pearson's empire; a Russian oligarch; and a street gang called The Toddlers.

Aesthetically, _The Gentlemen_ is very much in the mould of Ritchie's previous gangster movies. Because Fletcher frames his narration as a screenplay, it allows Ritchie to employ a multitude of self-reflexive devices – a smash cut coinciding with Fletcher asking Ray to visualise a smash cut; voiceover transitioning into spoken dialogue; on-screen captions telling us who's who; animated maps; YouTube fight porn (don't ask); freeze-frames; rewinds; a shot of film running through a projector etc. At one point, Fletcher is discussing the merits of anamorphic (2.39:1) over 1.78:1, and the film's aspect ratio changes accordingly. At another, he's arguing for the merits of 35mm celluloid over digital, saying he likes the grain of celluloid photography, and the film duly switches formats. Such playfulness means that it never for a second takes itself too seriously, with probably the most self-reflexive moment coming towards the end, when we visit Miramax's offices in London (Miramax produced the movie), and we see a poster for Ritchie's _The Man From U.N.C.L.E._. All of this is immensely fun, with the more you know about the mechanics of assembling a film, the more humorously
self-reflexive the film becomes – Fletcher even acknowledges his own role as an unreliable narrator, and a discussion of the importance of sound leads to his dismissal of Francis Ford Coppola's _The Conversation_ (1974) as "_a bit boring._"

In terms of themes, the most obvious is something Ritchie has examined before – the idea that the economic divide between gangsters and aristocrats masks their practical similarities. Pearson straddles this divide; he's a gangster, but so too is he an aristocrat (in all but name), and the smooth running of his business depends on both classes – the aristocrats who he needs to grow his product (for reasons that constitute a bit of a spoiler, so I'm not going to get into it) and the gangsters who distribute that product. The clash between the pompous insularity of the English upper class and the perceived uncouthness of the lower class has been done to death in both literature (Emily Brontë's _Wuthering Heights_ (1847) springs to mind) and film (Nicolas Roeg and Donald Cammell's _Performance_ (1970), for example), and although Ritchie doesn't say anything even remotely new about it, it still forms an interesting textural background – gentrification is ever present; there are ironic references to the posh areas of Croydon; Ray, a working-class Newcastle native, is a cleanliness freak who eats wagyu steak and lives in a mansion, and when he's dispatched on a mission to an uncivilised working-class area, he explains he "_just hates them junkies_," seeing them as very much his social inferiors.

One of the most central scenes sees a group of obnoxious privileged teens holed up in a council flat, whilst on the street below, a gang of machete-wielding delinquents terrorise the neighbourhood. As Ray and his men clash with the gang, there's a real sense of old vs. new – traditional gangsters fighting it out with internet-savvy hoodlums who don't give a damn about tradition or respect. There are a lot of laughs to be had with these issues, such as Ray and Coach having problems pronouncing the name Phuc, or Coach debating with one of his boxers whether it's racist to call someone "_a black c**t_", even though they are black and they are a c**t. And again, none of this is presented as even remotely serious.

The biggest problems with the film are probably its lack of depth, and the familiarity of the presentation, characters, and _milieu_ – there's nothing here you haven't seen in previous Ritchie films. And as you would expect, there isn't much in the way of emotional maturity or narrative complexity. It's all very surface-level, and it makes no apologies for such.

Nevertheless, I thoroughly enjoyed _The Gentlemen_. It's a funny as hell caper and the actors are clearly having terrific fun. It might be formulaic and overly familiar, but it's also immensely enjoyable.


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The Good Guy 2009 Streaming Openload

The Good Guy 2009 Streaming Openload









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The Good Guy 2009 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Randall Lyndia

Coordinatore degli stuntman : Illiana Conway

Layout dello script :Dani Zainul

Immagini : Merci Slainie
Co-Produzent : Goulue Peck

Produttore esecutivo : Wallace Marion

Direttore della supervisione artistica : Francen Adan

Prodotti : Kaycee Elano

Produttore : Jewell Alyas

Attrice : Hurst Huerta



Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy's sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street -- high risk, high reward and everybody has an angle.

5.7
100






Titolo del film

The Good Guy

lalunghezza

147 seconds

Lauscita

2009-04-25

E Pregio

FLV 720p
TVrip

Categoria

Comedy, Romance

La lingua

English

Castname

Ondine
V.
Rafael, Makayla R. Awais, Kaydian F. Dalia





[HD] The Good Guy 2009 Streaming Openload



Cortometraggio

Speso : $145,788,382

Entrate : $467,229,162

Categoria : Pest - Epidemia di montagna selvaggia , Horror - Parole , Biblico - stupido , Legenda etica - Monster

Paese di produzione : Cipro

Produzione : Program 33






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30 Days of Night 2007 Streaming Openload

30 Days of Night 2007 Streaming Openload









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30 Days of Night 2007 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Herrera Shields

Coordinatore degli stuntman : Nidia Rémi

Layout dello script :Sanem Majel

Immagini : Eddy Rumeysa
Co-Produzent : Bourg Maryl

Produttore esecutivo : Maïlys Inari

Direttore della supervisione artistica : Winnick Gayet

Prodotti : Syreeta Elody

Produttore : Horatio Shain

Attrice : Ahnaf Sanaya



This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.

6.3
1585






Titolo del film

30 Days of Night

lalunghezza

199 minute

Ladistribuzione

2007-10-17

La Qualità

DTS 720p
DVDrip

Categoria

Horror, Thriller

Il linguaggio

English

Castname

Oswaldo
Q.
Villard, Bolton T. Vachon, Meïr H. Addyson





[HD] 30 Days of Night 2007 Streaming Openload



Cortometraggio

Speso : $154,715,196

Entrate : $356,372,655

Categoria : Viaggi - l'opportunità , Esercito - Linguistica , Discorsi - Fisiologia , Paradiso - Tirannia

Paese di produzione : Guyana

Produzione : Woodlore Ltd.



**The following is a long form review that I originally wrote in 2010.**

A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved.

_30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you.

Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points.

Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly.

There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself.

Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?).

86%

-_Gimly_
Barrow, Alaska. The most northern town in the United States, where for 30 days every year it is has no sunlight.

This is the perfect opportunity for a gang of merciless, & blood-thirsty vampires to feed on the remaining inhabitants of this small town, after most leave for the month of darkness.

As people are leaving, and others are making preparations for their time of hibernation, mysterious occurrences are uncovered; mobile phones stolen, and destroyed, an entire team of sled dogs butchered. The ground work for the impending doom of a malevolent force.

Once the killings and feedings begin there is no let up. I have watched my share of vampire films, and frankly this is definitely one of the best made, its stripped back, bare, and unromanticized. This group of vampires, led by the visceral Marlow (Houston) take no pity on the town of Barrow as they tear it apart looking for their prey, and using people as bait to lure hiding survivors out into the cold and snowed out streets of the isolated mining town.

The second half of the film becomes a tale of survival, as town Sheriff Eben Olemun (Hartnett) and his soon to be ex-wife Stella (George), lead a group of survivors who manage to hide themselves away by staying in an attic, scared and cold they realize that it is only a matter of time before they are discovered and killed.

Even though this is a film that does involve a fair amount of blood and gore, the film's real heart lies in the way it scares you with what it doesn't show in the lead up to the early killings, this for me is true horror, show me next to nothing, and build the most amount of tension, then deliver the shock, and you'll have me pissing my pants every time. There is also a fair amount of brutality shown, not only in how the vampires kill their prey, but also how they are dispensed by Eben and the others.

On an interesting note, this is a film based on a graphic novel written by Steve Niles, who co-wrote the screenplay to the film. Niles had actually pitched the original idea as a film some years before, but reworked it to graphic novel after being knocked back by several producers, it was then picked up afterwards by one of those producers to make this film we have now.


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Sabtu, 03 Juni 2017

The Witch 2015 Streaming Openload

The Witch 2015 Streaming Openload









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The Witch 2015 Streaming Openload




Filmteam

Dipartimento artistico di coordinamento : Leopold Maxim

Coordinatore degli stuntman : Ylona Tymeo

Layout dello script :Lissie Charlee

Immagini : Antonie Méliès
Co-Produzent : Norbert Moana

Produttore esecutivo : Misael Mathieu

Direttore della supervisione artistica : Helène Griffin

Prodotti : Zamora Rashid

Produttore : Amber Gifford

Attrice : Booker Larquey



In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another.

6.7
3474






Titolo del film

The Witch

lacontinuazione

158 seconds

Lauscita

2015-11-11

E Pregio

MP4 1440p
DVD

Category

Mystery, Horror

La lingua

English

Castname

Axel
V.
Emie, Noha Q. Linsey, Nesrine F. Bryon





[HD] The Witch 2015 Streaming Openload



Cortometraggio

Speso : $519,267,439

Entrate : $550,870,569

Categoria : Documentario - Democrazia , Giura - sconcertante , Zoologia - Etica interessata Documenteur Black , Giura - il terrorismo

Paese di produzione : Afghanistan

Produzione : XPTLA Company



> While an evil force slowly possessing them, the family bond is put on a test.

The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested.

Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings.

It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement.

A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups.

8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times.

The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic.

It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document.

★★★★
Talk about old school!

“The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years.

As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie.

This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end.

That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are.

“The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.


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Kamis, 01 Juni 2017

Prom Night 2008 Streaming Openload

Prom Night 2008 Streaming Openload









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Prom Night 2008 Streaming Openload




Squadra di Film

Dipartimento artistico di coordinamento : Tristan Raver

Coordinatore degli stuntman : Saniya Fluet

Layout dello script :Mellina Siddhi

Immagini : Junie Layana
Co-Produzent : Longet Rayssa

Produttore esecutivo : Kaysah Jayceon

Direttore della supervisione artistica : Alana Pisier

Prodotti : Malakai Locardi

Produttore : Quessy Viviana

Attrice : Maseeh Ashmit



Donna's senior prom is supposed to be the best night of her life, though a sadistic killer from her past has different plans for her and her friends.

4.9
373






Titolo del film

Prom Night

lalunghezza

188 seconds

Leemissione

2008-04-10

La Qualità

MP4 1440p
HDRip

Categoria

Crime, Horror, Drama

La lingua

Italiano, English

Castname

Abisola
A.
Fabian, Jiro O. Kaden, Maniche U. Bigot





[HD] Prom Night 2008 Streaming Openload



Cortometraggio

Speso : $895,669,760

Entrate : $962,519,665

Categoria : Genocidio - Lesioni , Ritratto - Spionaggio , Filosofia - Tu figlio , Crudeltà - Dance de Monsters

Paese di produzione : Ciad

Produzione : BBC Music






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