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Elsa, Anna, Kristoff and Olaf head far into the forest to learn the truth about an ancient mystery of their kingdom.
Titolo del film
|
Frozen II |
lacontinuazione |
122 seconds |
Lauscita |
2019-11-20 |
E Pregio |
M1V 1440p
HDTS |
Categorie |
Animation, Family, Adventure |
Il lessico |
English |
Castname |
Hadika
S.
Ritaj, Arletta N. Tamanna, Rugile W. Sistine |
[HD] Frozen II 2019 Streaming Openload
CortometraggioSpeso : $057,344,730
Entrate : $958,372,466
Categoria : Rapina - Libertà , Europa - Indipendente , Horror - nostalgico , Spaventoso - Scetticismo
Paese di produzione : Stati Uniti Spagna
Produzione : Zhejiang Television
Frozen II Il segreto di Arendelle Wikipedia ~ Frozen II Il segreto di Arendelle Frozen II è un film danimazione del 2019 diretto da Chris Buck e Jennifer Lee La pellicola sequel del film del 2013 Frozen Il regno di ghiaccio e 58º classico Disney è il film danimazione ad aver incassato di più nella storia del cinema Trama I protagonisti in una scena del film
Frozen Il regno di ghiaccio Wikipedia ~ Frozen Il regno di ghiaccio Frozen è un film del 2013 diretto da Chris Buck e Jennifer Lee È il 53º classico Disney Liberamente ispirato alla fiaba di Hans Christian Andersen La regina delle nevi è un lungometraggio animato al computer prodotto dalla Walt Disney Animation Studios e distribuito dalla Walt Disney Pictures Il 2 marzo 2014 si aggiudica due premi Oscar miglior film d
Frozen Delain Wikipedia ~ Frozen è il primo singolo del gruppo SymphonicGothic metal Delain estratto dallalbum Lucidity e pubblicato l8 gennaio singolo è entrato nella top 40 dei singoli più venduti del 2007 in territorio olandese La traccia Deep Frozen venne successivamente inserita come bonus track nellalbum Lucidity
Elsa Disney Wikipedia ~ Elsa è un personaggio immaginario dei film danimazione Frozen Il regno di ghiaccio e Frozen II Il segreto di Arendelle prodotti da Walt Disney Animation Studios Creata dal regista Chris Buck Elsa è liberamente ispirata alla regina delle nevi dellomonima fiaba di Hans Christian Andersen
Frozen Sentenced Wikipedia ~ Frozen è il quinto album in studio del gruppo musicale finlandese Sentenced pubblicato il 15 luglio 1998 dalla Century Media Records Lanno successivo ne è stata pubblicata una versione limitata Gold con una lista tracce modificata in cui figuravano quattro reinterpretazioni registrate nel dicembre 1998 presso i TicoTico Studio di Kemi Nel 2007 è stato ripubblicato in edizione
Frozenbyte Wikipedia ~ Frozenbyte è unazienda finlandese sviluppatrice di videogiochi fondata nel 2001 nella città di Helsinki
Frozen film 2010 Wikipedia ~ Frozen ha ottenuto il primo fine settimana della sua uscita 131395 Le settimane successive gli incassi sono calati A livello internazionale il film ha incassato oltre 24 milioni di dollari portando il suo guadagno lordo totale a poco più di 3 milioni
Frozen Le avventure di Olaf Wikipedia ~ Frozen Le avventure di Olaf Olafs Frozen Adventure è un cortometraggio danimazione statunitense diretto da Kevin Deters e Stevie Wermers Si tratta di uno spinoff di Frozen Il regno di ghiaccio della Walt Disney Animation Studios
Frozen Madonna Wikipedia ~ Frozen è una canzone della cantante americana Madonna tratta dal suo settimo album in studio Ray of Light 1998 È stato pubblicato il 23 febbraio 1998 dalla Maverick Records ed è stato incluso nelle compilation GHV2 2001 e Celebration 2009 Frozen è stata scritta da Madonna e Patrick Leonard ed è stata prodotta in collaborazione con William Orbit
Let It Go Disney Wikipedia ~ Oltre alla versione originale in lingua inglese Frozen è stato doppiato in 43 lingue con 41 versioni di Let It Go La sfida maggiore fu trovare dei soprani capaci di raggiungere unestensione vocale di tre ottave nelle loro lingue native
The kingdom of Arendelle needs to be evacuated when the forces of nature threaten to destroy it. Elsa, Anna, Olaf and Kristoff set off to find some answers. But Elsa has been distracted. She has been hearing an unfamiliar voice calling out to her in a strange tune. Led by her, the group follows the melody to find themselves at the edge of an Enchanted Forest with untold mysteries and dangers.
Rather than retracing the steps of its record-breaking predecessor, ‘Frozen 2’ tries some new thematic tricks. This time around, the surprisingly mature plot focuses on transformation and growing up. The film’s setup leading up to the climax appears to be promising, but its third act doesn’t quite live up to expectations. The conflict resolution lacks a sense of impact and feels rushed. This is particularly baffling since the first half tends to meander, focusing on songs than on purposefully furthering the plot. Additionally, the tracks are far too many and certainly not as catchy as the first film. Which isn’t to say they are bad – the compositions are layered, but it is yet to be seen if they have enough sing-along power to become as popular as ‘Let It Go’. Still, the picturizations of the music is incredibly captivating.
This extends to the rest of the film’s animation too, and some vibrant colors combine with photo-realistic visuals to create quite a spectacle. Minor details are noticeable as they enhance the essence of each character. While each of the group gets their moments, Elsa and Anna continue to be the focal points. The uncontainable chemistry of Idina Menzel and Kristen Bell, respectively, picks up where they left off without missing a beat. Olaf provides ample humor, either in visual slapstick or by Josh Gad’s endearing yet tongue-in-cheek, almost self-aware delivery. An interesting new character played by Sterling K. Brown is an immediate standout. However, a subplot involving Kristoff and Anna feels shoed in to give Jonathan Groff something to do besides singing probably the most amusing song in the soundtrack.
It’s a tall order to expect this sequel to capture the lightning-in-a-bottle magic of the original, but Frozen 2’s stunning eye-candy and humor will be enjoyable enough for its younger core audience.
While ‘Frozen 2’ isn’t as strong a film as I had hoped it would be, I wouldn’t go so far as to call it a disappointment. It’s still incredibly entertaining and I found myself engaged throughout. These films do have an undeniable charm, and outside of the now-completed ‘How to Train Your Dragon’ trilogy, ‘Moana’ and Laika’s ‘Missing Link’, these are the only major American animated films attempting the use the form to create a cinematic experience. It is a pity that the story never finds its feet; a combination of this level of craft and a real ripper of a yarn would have made this a slam-dunk. As it stands though, the magic of the ‘Frozen’ franchise is still there - dimmed, but there nonetheless.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-frozen-2-elsa-and-anna-return-with-the-magic-mostly-intact
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As you should know by now, I enjoyed Frozen more than I expected. Therefore, I was genuinely excited about its six-year sequel. It’s one of the few movies in 2019 to which I went in 99% blind. I didn’t watch a single trailer, I barely saw any images or small clips, and I didn’t know anything about where the story was going. So, with my expectations moderately high, how did it perform? Very, very well. I’m going to write it straight away: I enjoy this sequel more than the original. For one simple reason: it possesses a more emotionally complex narrative, one which I think the target audience (basically kids) won’t even fully understand.
It’s really hard to create an animated flick with a story that works for both adults and children. The best of the best are the ones that are able to almost tell two different narratives: one simpler for kids with basic life lessons, and another for adults with more profound themes. Frozen II doesn’t reach this last level, but its layered screenplay allows for an exploration of Elsa’s powers that I genuinely didn’t expect. However, there’s an evident downside to the extreme focus on Elsa’s journey… The other characters are put aside with irrelevant subplots that only stretch the runtime a bit too much, and unfortunately, reach a certain point where out-of-character actions occur.
There’s even a period of time where a particular character simply vanishes from the story because Jennifer Lee and Chris Buck couldn’t figure out what to do with it during the last act. Despite the subplots not being impactful or not being able to further develop its characters, I can’t deny some sequences are entertaining and funny as hell. Olaf is the absolute MVP of the film, and just like in the original, he doesn’t exactly have an arc. Nevertheless, he has one of the most hilarious sequences of the year. I cried from so much laughter. His song and a couple of scenes where Josh Gad goes all out are some of the funniest of the whole movie.
The voice cast is once again perfect. Anna, Kristoff, and Sven are sort of along for the ride, with the trio only doing something useful in the last 15-20 minutes. Elsa is the real star of the show. From the opening shot to the last, it’s all about her, and her powers’ origin. It might get too convoluted for kids, but despite a few minor missteps, it’s an extremely well-developed screenplay. With a remarkable build-up and some truly amazing songs, Elsa goes through several action moments where she showcases all that her magic can do. And it’s visually mind-blowing. Like in the first film, the animation quality is extraordinary.
They really put 200% effort into Elsa’s magic sequences. From her running against a tide of waves to fighting against the four elements (water, fire, earth, and air), there are imaginative and incredibly entertaining scenes, which give the movie a level of entertainment superior to its predecessor. Put this together with the wonderful, powerful score, and you get a pretty epic film, scale-wise. I mean, Into the Unknown is not going to reach Let It Go’s level of worldwide craziness, but it’s a phenomenal song. It’s even better hearing it while watching the actual scene play out. Both this one and Show Yourself have a build-up worthy of sending chills down your spine.
All Is Found is also a memorable lullaby that a lot of parents are going to sing for their kids. When I Am Older is Olaf’s hilarious musical moment that left me laughing throughout its entire run. I love Frozen II’s score, more than the original’s. That’s something I genuinely wasn’t expecting at all. Looking back, I now think the first installment doesn’t even have enough significant songs. This sequel has tons of songs that are either extremely important for the characters or funny parodies. All are very captivating, catchy, and emotionally resonant. My advice: please, don’t listen to the soundtrack before watching the movie. Not only the titles and lyrics offer plot spoilers, but they ruin that “first experience” feeling. I got chills during a couple of them precisely because I watched besides only hearing them.
All in all, Frozen II compensates the six-year wait with a follow-up worthy of standing up to its original, which in my opinion, surpasses it. With an emotionally complex narrative, Elsa’s powers are explored and developed in a captivating, creative, fun, and entertaining way. Disney really put their best animators on this because the quality of animation has never been as visually impressive as this. It really feels like a magical film. Elsa’s magic demonstration plus the powerful, chill-inducing original score are two aspects that together provide some truly epic moments. However, Olaf is the MVP with a lot more screentime than in the original, and with a couple of the most hilarious scenes of the year. It’s a shame that the focus on Elsa’s arc pushed every other character aside, making them feel useless and with no exciting or impactful subplot. Runtime feels a bit stretched due to their side adventures, and exposition is pretty heavy throughout the entire duration. In the end, it’s still a contender for Best Animated Feature Film of 2019.
Rating: B+
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